Directed by French
tough-stuff Transporter 3 specialist Olivier Megaton, the movie is
simultaneously silly, nasty, a lazy festival of stereotypes, and a
cleverly made piece of merchandise — i.e., it's the devil we know. This
time the blithely violent revenge thriller takes place in Istanbul,
which, like Paris in the original, is infested with evil stubbled
Albanian gangsters. And now it's retired CIA intel pro Bryan Mills (Liam
Neeson) and his ex-wife, Lenore (Famke Janssen) who get taken too.
Miraculously, the couple's singularly hostage-prone daughter, Kim
(Maggie Grace), avoids captivity, and even proves a worthy bad-guy
opponent, primarily through the use of her near-magic iPhone.
Film reviews: 'Taken 2,' 'Frankenweenie'
By the way, the chief
evil stubbled Albanian gangster, Murad Hoxha (Rade Serbedzija, who is
Croatian), wants revenge because Bryan killed his son in the previous
movie after that son kidnapped Bryan's daughter to force her into
prostitution. Suffice it to say, things do not go well for Murad.
Chained up and locked away along with his ex-missus, Bryan, with his
very specialized set of skills, nevertheless wriggles free. Then, on the
way to rescuing his ex, he alternately beats the crap out of people,
shoots the crap out of people, runs the crap over people, and growls the
crap out of people.
Anyone who thinks any of
the above constitutes a spoiler is not the audience for the phenomenon
of the "Taken" oeuvre, a pair of icy-eyed movies laid over a gooey core
of aspirational family bonding. In these films, by sheer dint of will,
strategic career planning, and physical training sessions suited to his
now 60-year-old chassis, Neeson sets himself the goal of becoming a
Harrison Ford-like action hero. And this he does: He's sturdy, solid,
efficient, opaque, and wears a black leather jacket well. Ta-da. He's an
action hero. (Seems like a waste of a career arc to me, but guess who's
the millionaire?)
The apex of the star's
work here is when he manages not to betray a giggle when directed to
whisper into the phone to the perpetually edge-of-panicked Maggie Grace,
''Your mother and I are going to be taken. Listen to me very
carefully.'' As Oscar Wilde almost said in "The Importance of Being
Earnest," to be taken once may be regarded as a misfortune; to be taken
twice looks like carelessness. Grade: C
